Jazz Hands – an essay on six degrees of separation

I lived most of my life in Bellevue, Washington, a suburb of Seattle. I met my husband while still in high school. Ken was a senior at Bellevue HS, a rival high school. I went to Sammamish HS across town.

In the 1962 Senior Class at Bellevue, two men touched our lives in the six degrees of separation way. One was Peter Vall-Spinosa, whose father, Arthur, was one of the priests who officiated at my wedding to Ken in 1964.

Father Vall, as he was known to my family, was the priest at St. Thomas Episcopal Church, where my family attended from the time we moved to Bellevue in 1956. In the 60s, a new Episcopal church was founded in our neighborhood of Lake Hills on Bellevue’s east side. Our priest was Father MacMurtry, known as Father Mac. Father Mac and his family, a wife and two small daughters, lived across the street from us. On occasion, Father Mac would come to our house, where he and my dad would share a bourbon or two while discussing how to change the world.

I wanted to be married at St. Thomas, a beautiful Gothic-modern stone church, instead of the new church that was temporarily housed in an old school building until construction could be financed. Father Mac had to get permission from Father Vall, and both men officiated at our wedding.

The next connection was through Richard Reinking, a good friend of Peter Vall-Spinosa. Dick became a psychotherapist and treated Ken’s older sister during a troubling time in her life. In the 1970s, Dick’s sister, Ann, became famous on Broadway as an actor-dancer-choreographer. She came to the attention of Bob Fosse, a renowned theatrical choreographer and producer. She was his protege/lover. She was in productions of Pippin, A Chorus Line, Cabaret, and Chicago, among others. Ann then starred in the movie All That Jazz, based on Bob Fosse’s life, his marriage to Gwen Verdon, and his six-year affair with Ann. Ann and Gwen became good friends, and they collaborated in the development and production of the Tony Award-winning musical Fosse about his life and work. One of the dance moves used prevalently by and associated with Fosse is his stylized, energetic version of Jazz Hands.

Here are my six degrees of separation to Jazz Hands. I personally knew Arthur Vall-Spinosa, so it starts with him, then to his son Peter Vall-Spinosa, then to Peter’s friend and my sister-in-law’s therapist, Dick Reinking, then to Dick’s sister, Ann Reinking, then to Bob Fosse, who was known for Jazz Hands. TA_DA!

This is a fun exercise for a prompt – pick a person or thing and find a way to relate to them or it through six connections.

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